Contours of Us

In a world of stark contrasts—black and white, light and shadow—we move like lines across each other's boundaries. Our relationship isn’t always clean-cut or symmetrical. It's a gradient, shifting between clarity and confusion, soft and sharp, holding space for both harmony and dissonance.

The curves in the image speak of moments where we bend for each other, where we flow in rhythm—sometimes meeting, sometimes missing. The structured blocks are the certainty we crave, but it's the undefined, fluid shapes between them where we truly exist.

Like the interplay of forms here, we are neither entirely apart nor wholly one. We are the space in-between—the transition, the tension, the tender grayscale of becoming.

Echoes of Perception

A visual symphony of distortion, Echoes of Perception blurs the boundary between motion and stillness. Through layered geometry and warped symmetry, the piece invites the viewer into a shifting space where the mind fills in what the eye cannot hold steady. Reality fractures—not from chaos, but from the echo of what we think we see.

Quagga

In Quagga, natural forms are reinterpreted through a digital lens—organic flows interrupted, yet not erased. Each piece opens a quiet dialogue between permanence and transformation, where nature’s textures are subtly rewritten by the invisible patterns of technology. Like the quagga itself—half-remembered, half-erased—the works exist in a liminal state: striped, shifting, and strangely serene. This is a space where nature remembers being nature, even as it becomes something else.